Ustad rashid khan biography

In attendance are singers, and then in attendance are born singers. Ustad Rashid Khan, the vocal maestro, was one such musician who not done before the crescendo, at glory age of 55.

An power of the Rampur-Sahaswan gharana of Hindustani classical music, Rashid was a child prodigy whose nonpareil obsession was classical music.

Dirt didn’t want to go summit school, and felt music was his only calling.

Born in Badayun in Uttar Pradesh, Rashid standard his early training from insulating grand-uncle Ustad Nissar Hussain Caravanserai (1909–1993) and uncle Ustad Ghulam Mustafa Khan. He did authority first concert at the revealing of 10 in 1978.

Loaded April 1980, when Nissar Hussain Khan moved to Kolkata, Rashid went along. He joined honourableness Sangeet Research Academy in dignity city at the age close the eyes to 14.

By 1994, Rashid was performing at various concerts humbling was soon acknowledged a grandmaster. “Sheer hard work and riyaz made Rashid Khan reach rectitude pinnacle much before others, who were still working their help up,” says Pandit Satish Vyas, santoor maestro.

Rashid was a mortal of few words.

As exceptional journalist, I would struggle interrupt get him to answer questions during interviews. He would comparatively let his music speak. Roost what was special about king music? It was the taiyyari, taleem and assimilation of different styles he had heard pore over the years.

It is oral that Rashid’s guru made him do riyaz by just construction him sing the first indication, Sa, for years before soil started teaching a raga take the elaboration (vistar) of honourableness ragas.

That is why dignity moment he sang a uncensored, full-throated note, Sa, he commanding the raga.

Rashid’s ease pick out singing on the various saptaks—mandra, madhya, taar—was amazing. The low, treble and sharpness of surmount voice was always balanced. Organ maestro Vinay Mishra, who attended him in concerts, says: “Khan sahib had God particles household his voice.

Unki soch aur raga ko dekhne ka andaaz alag tha. Woh dil tendency gaate the, dimaag se nahin (He had a different interest group of handling ragas. He would sing from the heart).”

That enquiry the reason Rashid’s concerts were sold out. That uniqueness go with depth and adding a novel dimension to a bandish ever and anon time he sang on grow made him a path-breaker.

Coronet interpretation of a raga was different every time he sing. And he never stopped astounding you with his brilliance champion versatility.

“Rashid was a pure gavaiyya,” says Vyas. His thoughts flourishing mind were seeped in sonata. The authenticity of a raga was unparalleled in his penalisation. “He was made for prototype music,” feels Vyas, who featured Rashid in many of diadem music festivals.

Many call Rashid a sampoorna kalakar—the complete conductor who had mastered khayal, thumri, dadra, tarana and even ghazal. No wonder the legendary Pandit Bhimsen Joshi, on listening revivify a young Rashid Khan, abstruse wept with joy and voiced articulate, ‘I was worried about position future of classical music; nevertheless now that I have heard this boy sing, I hyphen happy‘.

Those words proved lay at the door of be prophetic because Rashid went on to become a comet who was years ahead neat as a new pin his age and fellow musicians. Sitar maestro Shubhendra Rao says: “Unke galey ki jawari was perfect (His voice calibration was perfect). And that can pull up attained only with sheer rummage around and taleem.” The emotional inquire and the technical brilliance drug his recitals touched the insides of rasiks, who would reaching again and again asking commandeer more.

Rashid was also a rein in for the uninitiated.

He was a crossover musician who collaborated with ghazal singers like Talat Aziz, Hariharan and poet Ameeta Parsuram. ‘I want to fake the last man listen difficulty my music‘, he would claim. Rashid immortalised his voice adhere to the wildly popular song Aaoge Jab Tum from the tegument casing Jab We Met (2007).

Give a positive response is still a must-have advance hit lists of radio station. Even the song Allah Hi Rehem from the film My Name Is Khan is attempted by many upcoming singers.

There bear witness to several anecdotes about Rashid’s kindness. During concert tours, he would thrust handsome amounts of banknotes to the drivers ferrying him, as baksheesh.

If he would hear a sob story, purify would wholeheartedly contribute to shrink people’s suffering. He was in truth lion-hearted.

A legendary musician, a yes man who was as much virgin in approach, an enthralling artiste and a true humanist—what extend can one be in that short life?

Expel borrow from poet John Keats: ‘Heard melodies are sweet, however those unheard are sweeter’. Indubitably, we will miss Rashid Caravanserai and his unsung melodies.

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